Editing Belmont Theatre

Jump to navigation Jump to search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.
Latest revision Your text
Line 1: Line 1:
 
The '''Belmont Theatre''' was a music venue and eventual movie theater located at 115 East [[Belmont Street]], in the [[Long Hollow]] neighborhood. Opening in {{date needed}} during [[segregation]], the theater was owned by whites (including at one point [[Clinton Vucovich]]) but initially catered to an all-black audience.
 
The '''Belmont Theatre''' was a music venue and eventual movie theater located at 115 East [[Belmont Street]], in the [[Long Hollow]] neighborhood. Opening in {{date needed}} during [[segregation]], the theater was owned by whites (including at one point [[Clinton Vucovich]]) but initially catered to an all-black audience.
  
[[Wikipedia:Jelly Roll Morton|Jelly Roll Morton]] played regularly at the Belmont from 1906 to 1908.<ref>http://www.doctorjazz.co.uk/page10bc.html</ref> Other early performers included [[Wikipedia:Bessie Smith|Bessie Smith]], [[Wikipedia:Ida Cox|Ida Cox]] and Pensacola native [[Billie Pierce]].<ref>Paul Oliver. ''[http://books.google.com/books?id=hw9n90DDu2MC Conversation with the Blues]''. Cambridge University Press, 1997.</ref>
+
[[Wikipedia:Jelly Roll Morton|Jelly Roll Morton]] played regularly at the Belmont from 1906 to 1908.<ref>http://www.doctorjazz.co.uk/page10bc.html</ref> Other early performers included [[Wikipedia:Billie Pierce|Billie Pierce]], [[Wikipedia:Bessie Smith|Bessie Smith]] and [[Wikipedia:Ida Cox|Ida Cox]].<ref>Paul Oliver. ''[http://books.google.com/books?id=hw9n90DDu2MC Conversation with the Blues]''. Cambridge University Press, 1997.</ref>
  
 
It was a part of the Southern Consolidated Circuit from 1916 until 1920, and then became an important stop in the Managers' and Performers' Circuit in [[1922]].<ref name="directory"/> The theater "opened [its] doors to white patrons" on [[August 1]] of that year, but in a reversal of normal segregation conventions, they were required to sit in the balcony while black patrons occupied the first floor.<ref name="directory">''[http://books.google.com/books?id=pH2npoewU5cC The African American Theatre Directory, 1816-1960]''</ref>
 
It was a part of the Southern Consolidated Circuit from 1916 until 1920, and then became an important stop in the Managers' and Performers' Circuit in [[1922]].<ref name="directory"/> The theater "opened [its] doors to white patrons" on [[August 1]] of that year, but in a reversal of normal segregation conventions, they were required to sit in the balcony while black patrons occupied the first floor.<ref name="directory">''[http://books.google.com/books?id=pH2npoewU5cC The African American Theatre Directory, 1816-1960]''</ref>

Please note that all contributions to Pensapedia, the Pensacola encyclopedia are considered to be released under the GNU Free Documentation License 1.2 (see Pensapedia:Copyrights for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource. Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel Editing help (opens in new window)

Templates used on this page: